Timeline: [1990-99]
Painting done at residency at Vermont Art Colony, Vermont.
1990
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Joins Galería Botello, San Juan.
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Residency at Vermont Art Colony, Vermont.
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Video «Flamenco» presented at the Deep Dish T.V. Satellite, Massachusetts.
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Work discussed in «Mixed Blessings: New Art in a Multicultural America», by Lucy Lippard, Pantheon Books, NY.
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Professor of painting at the Escuela de Artes Plásticas de Puerto Rico, San Juan.
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Traveled and lectured with fellow artist Arnaldo Roche to the University of Missouri, St. Louis as part of the activities of the traveling exhibition «New Art from Puerto Rico».
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Participates in the followings exhibitions: «Artistas Puertorriqueños Contra el Hambre», Chase Manhattan Bank, San Juan; «New Art from Puerto Rico», curator MariCarmen Ramírez, Springfield Museum of Fine Arts, Springfield, Massachusetts, Fuller Museum, Brockton, Massachusetts, Lotus Gallery, Boston, Forum Gallery, St. Louis, Missouri, Hostos Gallery, New York and Museo de Arte de Ponce, Ponce, Puerto Rico 1990-92; and «La Caja», Casa Candina, San Juan.
1991
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Grand Prize, for painting «Donde moran los terribles», III Bienal Internacional de Pintura, Cuenca, Ecuador. Painting despicts O'Neills reaction to society treatment of AIDS patients, especially concerning Carlos Collazo.
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Computer graphic designed and selected for silkprint portfolio published for the upcoming Puerto Rico's Pavillion at the Universal Exhibition in Seville, Spain, 1992.
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First runner-up, Computer Illustration, SIGGRAPH '91, Las Vegas, Nevada. Apropiation of artist María Antonia Ordoñez's «Hablemos del amor», illustration for Caras Magazine.
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Merit Award, Computer Illustration, Online Designs Awards, How Magazine, Cincinnati, Ohio.
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Honorable Mention, Artista en el Extranjero, Asociación Internacional de Críticos de Arte de Puerto Rico.
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Honorable Mention for the experimental video, «Flamenco», at the Cinefestival of San Antonio, Texas.
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AvantGarde Diploma, Experimental Video, «Flamenco», UNICA, Sweden.
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First Prize, Experimental Video, «Flamenco», Ateneo Puertorriqueño, San Juan.
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Panelist for Fondo Nacional para el Financiamiento del Quehacer Cultural, Individual Artist Grant, Instituto de Cultura Puertorriqueña, San Juan.
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Computer illustration published in the Annual Edition July/August, How Magazine, Cincinnati, Ohio.
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Individual exhibition:: «Paisajes en Tiempos de Ansiedad», Museo de Arte e Historia del Municipio de San Juan and Galería Botello, San Juan.
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Participates in the exhibition: «Arte Joven» 1991, Chase Manhattan Bank, San Juan.
1992
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First Prize, Promotion, Graphic Design, «Convocatoria de Diseño Gráfico», Concilio de Diseño y Tecnología de la Administración de Fomento Económico, San Juan, for Casa Candina's exhibition flyer.
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Merit Award, Fondo Nacional para el Financiamiento del Quehacer Cultural, Instituto de Cultura Puertorriqueña, San Juan.
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Writes «Sobre imágenes, signos y otras mentiras» for fellow artist Rosa Irigoyen exhibition «Teatro Doméstico» catalogue, Liga de Arte, April/May, San Juan.
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President of the Panel of New Forms until 1993, National Endowment for the Arts, Puerto Rico Community Foundation.
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President of Asociación de Mujeres Artistas de Puerto Rico until 1993.
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Participates in the followings exhibitions: «Diez Artistas», Banco de Desarrollo Económico, San Juan; «Nuestro Autorretrato», Museo de Arte Contemporáneo de Puerto Rico, San Juan and Museo de Arte de Ponce, 1992-93; «Imágenes de la Tierra», Pabellón de Puerto Rico, Seville, Spain, 1992; «1492/1992 Un Nouveau Regard sur les Caraïbes», Espace Carpeaux, France, itinerant exhibition in France and the Caribbean, 1992-93; «Arte en el Chase 1977-1992», Chase Manhattan Bank and the Museo de Arte de Ponce, 1992-93.
1993
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First Prize, Computer Generated Publication Design, Publish Magazine, San Francisco, for the first school catalogue of Escuela de Artes Plásticas de Puerto Rico.
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Individual exhibition: «Isla» at Galería Botello, San Juan.
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Published introduction to the book «Nuestro Autorretrato: La Mujer Artista y la Autoimagen en un Contexto Multicultural», essay entitled «Identidad y Control», Asociación de Mujeres Artistas de Puerto Rico, San Juan.
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Publisher essay «Carlos Collazo: Breves notas de una compañera de trabajo», Revista Plástica, Año 15, Vol.I, Núm.21, Sept., San Juan.
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Publishes article «Chase Exhibit an Exercise in Choosing, not Telling», The San Juan Star newspaper, Venue Sunday Magazine, December 5.
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Evaluator for audiovisual projects, Fundación Puertorriqueña de las Humanidades, San Juan.
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Panelist for New Forms, National Endowment for the Arts, Alternates Roots, South Carolina.
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Graphic Design work discussed «Computer Generated Publication Design», Publish Magazine, San Francisco, June.
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Work discussed at the «Caraïbes-Art and Literature», Revue Noire, Paris, #9 July/August, Vol.2.
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Participates in the followings exhibitions: «Muestra de Arte Puertorriqueño», Antiguo Arsenal de la Marina Española en la Puntilla, San Juan; «II Certamen Nacional de Artes Plásticas», Museo de Arte Contemporáneo de Puerto Rico; «SITUARTE93», Rancho de Cayey, interdisciplinary event; «El Color de lo Urbano», Capitolio de Puerto Rico; and «500 Años de Arte Puertorriqueño», Museo de las Américas, Antiguo Cuartel de Ballajá, San Juan.
1994
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Publishes «Participación de Puerto Rico en IV Bienal Internacional de Pintura en Ecuador», Revista Cupey, Universidad Metropolitana, Puerto Rico.
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Video «Flamenco» broadcasted in Televisión Española.
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Painting «Autorretrato Núm.8» makes cover of «Callaloo», The John Hopkins University Press, Vol. 17, Number 3, Maryland.
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Individual exhibition:: «Paisaje en Fuego», IV Bienal Internacional de Pintura, Cuenca, Ecuador.
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Individual exhibition:: «Mapas», Museo de Arte Contemporáneo, Panamá.
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Participates in the followings exhibitions: «Otro País: Escalas Africanas», organized by Simmon Njami, editor of parisian magazine Revue Noire, itinerant exhibition, Centro Atlántico de Arte Moderno, Mallorca, Spain and «Ex Libris: El Libro como Propuesta Estética», Museo de la Universidad de Puerto Rico, Recinto de Río Piedras.
VHS's Cover for promotion of the exhibition.
Exhibition Catalogue for «Exhibición Homenaje a Carlos Collazo». Catalogues availables at Programa de Artes Plásticas, Instituto de Cultura Puertorriqueña.
1995
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Created and launched cultural e-zine «El cuarto del Quenepón» (cuarto.quenepon.org), April 15, one of the first ten Spanish e-zines on the Internet.
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Second Adquisition Prize, Certamen Museo de Arte Contempóraneo de Puerto Rico, San Juan, for computer generated work «La Isla Jamás» (co-created with Rosa Irigoyen).
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Award, Federal Design Achievement Awards, Round Four of the Presidential Design, for the design of the first Puerto Rican pre-press Exhibition Catalogue for «Exhibición Homenaje a Carlos Collazo», Washington, D.C. The United States Holocaust Memorial Museum Artifact Posters and Cooper-Hewitt: A Design Resource, were among the awarded. According to the Federal Design Achievement Award, "Carlos Collazo was a Puerto Rican painter, ceramist, and graphic designer who died of AIDS at the age of 34. Designed for people without access to the artist's work or his contribution to our society, Exhibition Catalogue for «Carlos Collazo 1956-1990 Exposición Homenaje» is a unique contribution to the history of art in Puerto Rico. Reflecting the social and artistic context of the artist, the catalogue incorporates traditional oral history with theoretical background. By making the investigation of the artist as thorough as possible, the designer has provided a catalogue that can be used as a reference for further studies."
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Prize, Best Catalog of the Year, Asociación Internacional de Críticos de Arte de Puerto Rico, for first local interactive digital catalogue «Paisaje en Fuego».
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Best Page of the Week, Mundo Latino, for «El cuarto del Quenepón».
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Creation and development of Department of Image and Design with fellow professor Teresa López, Escuela de Artes Plásticas de Puerto Rico.
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Illustrations for «El Portal del Yunque», Centro Forestal Tropical, Puerto Rico.
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Art Director for CDROM «Arte Contemporáneo de Puerto Rico», Museo de Arte Contemporáneo de Puerto Rico, until 2003.
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Work entry for CDROM «American Journeys: The Hispanic-American Experience», Primary Source Media.
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Work entry at «Idilio Tropical», video and film exhibition, Banco Popular, San Juan.
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Painting «Pequeño Cementerio de Culebra» makes cover for book «Remaking a Lost Harmony: Short Stories from the Hispanic Caribbean» edited by Lisa Paravisini and Margarite Fernández Olmo, White Pine Press, NY.
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Individual exhibition: «Azul», Galería Botello, San Juan.
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Painting «Paisaje en Fuego Núm.2» becomes the US and international promotional image of exhibition «Latin American Women Artists 1915-1995».
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Participates in the followings exhibitions: «Caribbean Visions: Contemporary Painting and Sculpture», itinerant exhibition, Center for Fine Arts, Miami, 1995 a 1996; «Latin American Women Artists 1915-1995», curator Geraldine Biller, Milwaukee Art Museum, itinerant exhibition, Phoenix Art Museum, Arizona, The Denver Art Museum, Colorado, The National Museum of Women in the Arts, California and others venues,1995-96; «Un Marco por la Tierra», itinerant exhibition, Museo de Arte Moderno Sofía Imber, Caracas, Venezuela; Museo del Barrio, NYC; «III Certamen Nacional de Artes Plásticas», Museo de Arte Contemporáneo de Puerto Rico, San Juan, and «El Portafolio Gráfico Puertorriqueño», Museo de las Américas, Bienal de San Juan del Grabado Latinoamericano y el Caribe, Instituto de Cultura Puertorriqueña, San Juan, Puerto Rico.
1996
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TOP 20, Ibermag and TOP 100 Site, Planet Earth, for «El cuarto del Quenepón».
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Honorable Mention, AICA, Special Project of 1995, for «El cuarto del Quenepón».
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Individual exhibition:: «Obra Reciente», Museo de Arte de Ponce.
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Art Director for the launching of Banco Popular’s website, until 1997.
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O'Neill stops painting.
1997
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Awards Lo Nuestro, The Great Goo Award, Lo Mejor de YUPI- Culture Choice, Page Of The Week, Latino World, NET Giver Award, for «El cuarto del Quenepón».
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Art Director for the launching of advertising agency Lopito Ileana y Howie’s website.
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Work discussed at «Caribbean Art», Veerle Poupeye, Thames & Hudson, NY.
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Professor of Multimedia at the Escuela de Artes Plásticas de Puerto Rico, San Juan.
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Work discussed at «Puerto Rico, Arte e Identidad», Hermandad de Artistas Gráficos, Universidad de Puerto Rico.
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Participates in the followings exhibitions: «The Richness of Diversity: Contemporary Puerto Rican and Mexican Artists», Susquehanna Art Museum, Harrisburg, Pennsylvania and «Profesores de la Escuela de Artes Plásticas de Puerto Rico», Museo de Arte e Historia, San Juan.
1998
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Starts painting again, «Fin de Juego» series. This body of work are base mostly on icononical puertorrican artwork made by male artists.
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Nominated by fellow artist Pepón Osorio to the Joan Mitchell Foundation.
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Gard Award, Excelente!, Areas, and El Tesoro del Capitán, for «El cuarto del Quenepón».
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Creates the first local chat and video broadcast over the web for the XII Bienal de San Juan del Grabado Latinoamericano y el Caribe symposium, El cuarto del Quenepón. At this time, El Quenepón was receiving 20,000 readers a month.
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Art Director for the launching of the Fundación Puertorriqueña de las Humanidades’s website.
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Art Director for the launching of Oficina de Apoyo a las Artes, Instituto de Cultura Puertorriqueña’s website, until 1999.
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Participates in the following exhibition: «Los 100», Museo de las Américas, San Juan.
Painting «Simulacro», at artist's studio.Left photo: Student assitance and PaperMaking Master (at right) making paper test for «Clasifícame ésta» at Rutgers University.
1999
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Medal given by the Asociación Puertorriqueña de Artistas Plásticos, Maison de la UNESCO.
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Artist Residency at the Center for Innovative Printmaking and Papermaking, Rutgers University, New Jersey. Works on «Clasifícame ésta» (base on Juan Sánchez print «La mujer eterna»).
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Participates in «Fibras Trans-Migratorias: Artistas Latinos y Latinoamericanos en el Internet», Museo de Arte de Querétaro, México, El cuarto del Quenepón. Right after, she close Quenepón.
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Art Director for the launching of the Instituto de Cultura Puertorriqueña’s website, until 2001.
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Professor of drawing at the New School of Architecture, Universidad Politécnica de Puerto Rico.
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Participates in the following exhibition: «Litografía Argentina Contemporánea, 1999: IV Edición», Museo de Artes Plásticas Eduardo Sivori, Buenos Aires, Argentina.
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©2008 - María de Mater O'Neill